Moonlight is the Best (and Brightest) Film of 2016

By Tim McEown

Arrival is the Best (and Profoundest) Film of 2016

By Jared Young

Swiss Army Man is the Best (and Ballsiest) Film of 2016

By Christopher Redmond

C. Redmond's Top Films of 2016

2016 Silver Stamps

The Rashomon Effect

By Tim McEown

There Are Two Ways to Judge a Film. And the Other One is Wrong.

By Christopher Redmond

My De Palma is Better Than Your De Palma

By Jared Young

M. Night Shyamalan: The Final Blockbuster Auteur

By Christopher Redmond

Still Not Over the Canyon - Thelma and Louise at 25

By Di Golding

Expectations vs. Revelation:  Deadpool vs. The Witch

By Tim McEown

The Black Mark of the 2016 Oscars

By Christopher Redmond

Iñárritu Or (The Expected Defect Of Film Twitter)

By Tim McEown

45 Years is Unconditionally the Best Film of 2015

By Nat Master

Mad Max: Fury Road is Obviously the Best Film of 2015

By Casey Tourangeau

Creed is Surprisingly the Best Film of 2015

By Di Golding

Mad Max: Fury Road is Unapologetically the Best Film of 2015

By Tim McEown

Sicario is Definitely the Best Film of 2015

By Jared Young

Inside Out is Easily the Best Film of 2015

By Christopher Redmond

Score Wars: John Williams Strikes Back

By Jordan Gagné

C. Redmond's Top Films of 2015

2015 Silver Stamps

Star Wars Week